Marina ZurkowMesocosm (Northumberland, UK)
July 8 - July 21, 2020
Online
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December 20, 2024Whitney Museum of American Art
Hyundai Terrace Commission: Marina Zurkow Opening April 2025Marina Zurkow’s The River is a Circle consists of an animation based on custom software and an accompanying installation. The animation presents a view of the Hudson River in a horizontal split between the world above and under water, depicting a complex ecosystem of rivergoing vessels, wildlife, and the evolution of the meatpacking district. The installation extends the underwater environment to the terrace in a landscape combining maritime wreckage and oyster reef balls, devices used to provide habitat for oysters. The River is a Circle speculates on a circular economy, and a potentially positive cyclical flow back to modest strategies of maintaining ecosystems.
November 27, 2024bitforms gallery
Marina Zurkow: Exploring Ecological Art Through Digital MediaIn a wide-ranging conversation with bitforms gallery, Zurkow discusses her artistic practice, her relationship with scientific research, and how she uses technology to explore environmental themes.
April 11, 2021Bloomberg
Marina Zurkow profiled in ART+TECHNOLOGYWe meet artists Olafur Eliasson and Marina Zurkow who are working to help heal the disconnect, developing democratic and expressive tools for storytelling and dialogue that encourage everyday activism.
July 8, 2020bitforms gallery
Mesocosm (Northumberland, UK) by Marina Zurkow: Streaming July 8 – 21, 2020bitforms gallery is proud to present Mesocosm (Northumberland UK) by Marina Zurkow as the third piece in a series of streaming generative artworks, presented in collaboration with Small Data Industries.<img src="https://www.bitforms.art/wp-content/uploads/2020/02/srmz_wetlogic_install_2_w-400x267.jpg" data-large-src="https://www.bitforms.art/wp-content/uploads/2020/02/srmz_wetlogic_install_2_w-1024x684.jpg" class="lazy " alt="Sarah Rothberg and Marina Zurkow, Wet Logic, bitforms gallery, 2020." style="aspect-ratio: 1.4975 / 1;">
March 7, 2020Hyperallergic
Wet Logic reviewed by Louis Bury for Hyperallergic From behind bitforms gallery’s glass facade, an artistic toilet bowl (“Toilet Joke I,” 2020) beckons passers-by into Wet Logic, Sarah Rothberg’s and Marina Zurkow’s digitized meditation on water’s unearthliness.
February 6, 2001bitforms gallery
Wet Logic, an exhibition by Sarah Rothberg and Marina Zurkow, opens at bitforms galleryWet Logic presents a model of the world organized according to a wet, oceanic ideology rather than a dry, land-based paradigm. This is a world that manifests the circuitous nature of time and the enmeshment of humans to the planet. Rothberg and Zurkow present a series of systems that further human connection to oceans by way of action and imagination.
January 17, 2001Contemporary Art Museum St Louis
Marina Zurkow’s exhibition The Thirsty Bird opening at the Contemporary Art Museum St. LouisMarina Zurkow focuses her work on the intersection of nature and culture, offering wry and pointed critiques of this perilously dysfunctional relationship. The Thirsty Bird offers parallel narratives on two essential, yet incompatible elements: oil and water.