UNTITLED Houston
Press / VIP Preview Thursday, September 18, 1- 9 PM.
UNTITLED Art Houston, Booth B47
Friday, September 19 through Sunday, September 21, 2025
Address:
George R. Brown Convention Center
1001 Avenida De Las Americas
Houston, TX 77010
Press/VIP Preview:
Thursday, September 18, 1- 9 PM.
Opening Hours:
Friday, September 19
12 PM - 8 PM
Saturday, September 20
12 PM - 6 PM
Sunday, September 21
12 PM - 6 PM
Discover artworks by Rafael Lozano-Hemmer, Amor Muñoz, Daniel Rozin and Marina Zurkow.
Click here to preview the works in our booth.
Installation Views
Related News
Walkthrough with Marina Zurkow and James SchmitzJoin us for a special walkthrough with artists Marina Zurkow and Jim Schmitz at the Whitney Museum of American Art. Explore Parting Worlds, a selection of her software-based works reflecting on the interplay between nature and culture, ecological complexity, and environmental change. Marina will guide guests through her gallery exhibition and The River is a Circle, her Hyundai Terrace Commission engaging with the Hudson River’s shifting ecologies.
Studio Tour with Daniel RozinJoin us for an intimate studio visit with artist Daniel Rozin at his Long Island City workspace, taking place alongside Frieze Week. Guests will have the opportunity to explore a selection of his iconic interactive sculptures, including RBG Mirror, Wooden Mirror, Ball Chain Mirror, PomPom Mirror, Twisted Strips, and a screening of Software Mirrors. Refreshments will be served.
Hyundai Terrace Commission: Marina Zurkow Opening April 2025Marina Zurkow’s The River is a Circle consists of an animation based on custom software and an accompanying installation. The animation presents a view of the Hudson River in a horizontal split between the world above and under water, depicting a complex ecosystem of rivergoing vessels, wildlife, and the evolution of the meatpacking district. The installation extends the underwater environment to the terrace in a landscape combining maritime wreckage and oyster reef balls, devices used to provide habitat for oysters. The River is a Circle speculates on a circular economy, and a potentially positive cyclical flow back to modest strategies of maintaining ecosystems.
Marina Zurkow: Exploring Ecological Art Through Digital MediaIn a wide-ranging conversation with bitforms gallery, Zurkow discusses her artistic practice, her relationship with scientific research, and how she uses technology to explore environmental themes.
Electric Op at Buffalo AKG Art MuseumAn emerging movement called “Op” (short for “Optical”) took art and popular culture by storm. Op artists use abstract patterns to create optical illusions that are dynamic and interactive, much like the electronic images of the time.
BITFORMS GALLERY EXHIBITED A GROUP SHOW THAT EXEMPLIFIES NEW MEDIA ART A pioneer and champion of new media, digital and internet-based art, New York-based gallery bitforms presented the works of Ellie Pritts, Claudia Hart, Rafael Lozano-Hemmer, Manfred Mohr, Jonathan Monaghan and Refik Anadol.
http://Web3 Travel Guides: Future Horizons, Art Dubai Digital And BeyondOne of the longest-running and most well respected new media art galleries, bitforms represents established, mid-career, and emerging artists critically engaged with new technologies, offering an incisive perspective on the fields of digital, internet, and time-based art forms.
Why Lulu Island is a ‘paradise for contemporary art’In an interactive exhibition entitled Translation Island, Rafael Lozano-Hemmer has transformed Lulu Island in Abu Dhabi into an interactive playground of light.
Bulgari marks 75 years of serpenti jewelry with live robot arm chiseling in its Milan exhibitionInteractive sculptures and installations delineate Daniel Rozin’s work for Bulgari’s ‘Serpenti: 75 Years of Infinite Tales’ exhibition in Milan.
Rafael Lozano-Hemmer: Gray AreaRafael Lozano-Hemmer is one of those rare artists who both understands complex technologies and can harness them to make works of art that are, miraculously, not only smart but spectacularly visually compelling.
‘There’s no such thing as a neutral algorithm’: the existential AI exhibition confronting SydneyWhen Y2K seemed like the world’s most pressing technological concern, the Mexican-Canadian artist Rafael Lozano-Hemmer was using a dictionary and a set of grammatical rules to teach a computer how to write questions.
New show may make you feel like you’re being watched. That’s because you areTracking technology, facial recognition and more are all at play in Atmospheric Memory, the Mexican Canadian artist Rafael Lozano-Hemmer’s latest exhibition, which is designed to make air into something tangible.
Marina Zurkow profiled in ART+TECHNOLOGYWe meet artists Olafur Eliasson and Marina Zurkow who are working to help heal the disconnect, developing democratic and expressive tools for storytelling and dialogue that encourage everyday activism.
Visit “A Crack in the Hourglass,” Rafael Lozano-Hemmer’s memorial to the countless victims of COVID-19, online through Museo Universitario Arte Contemporáneo During the COVID-19 pandemic, whenever someone dies, the pain of the loss itself is aggravated by the inability to collectively express our mourning in funerary rites and rituals of farewell.
Rafael Lozano-Hemmer featured in Art21’s “Borderlands” episdoeLozano-Hemmer highlights the intimate, personal relations in a public space that is otherwise systematically dehumanizing. The artist explains, “The most important role that art can play is that of making complexity visible. The usage of technology is inevitable; it’s up to the artist to use those technologies to create experiences that are intimate, connected, and critical.”
Rafael Lozano-Hemmer’s Art 21 segment highlighted in artnet, “We as Artists Need to Intervene”Known for his large-scale, interactive installations, Rafael Lozano-Hemmer uses contemporary technologies like computerized surveillance, heart-rate sensors, and robotics to create participatory experiences and platforms for public participation and connection.
Rafael Lozano-Hemmer featured in the new season of Art21Lozano-Hemmer creates participatory artworks that utilize technology like robotics, heart-rate sensors, and computerized surveillance tools in order to facilitate human connection. Technologically sophisticated yet deceptively simple in their execution, Lozano-Hemmer’s spectacular, immersive works are often installed in public places as a means of transforming these sites into forums for civic engagement.
Mesocosm (Northumberland, UK) by Marina Zurkow: Streamingbitforms gallery is proud to present Mesocosm (Northumberland UK) by Marina Zurkow as the third piece in a series of streaming generative artworks, presented in collaboration with Small Data Industries.
Rafael Lozano-Hemmer on Seductive Participation and the Oppression of Metrics, Art in AmericaCan an artist engage with surveillance technologies without being complicit in their use for control and oppression? Audiences tend to treat interactive works as a fun spectacle, a chance to take a selfie. So how do artists clarify their position? How do they present their work as commentary, rather than mere reproduction?
Wet Logic reviewed by Louis Bury for Hyperallergic From behind bitforms gallery’s glass facade, an artistic toilet bowl (“Toilet Joke I,” 2020) beckons passers-by into Wet Logic, Sarah Rothberg’s and Marina Zurkow’s digitized meditation on water’s unearthliness.
Wet Logic, an exhibition by Sarah Rothberg and Marina Zurkow, opens at bitforms galleryWet Logic presents a model of the world organized according to a wet, oceanic ideology rather than a dry, land-based paradigm. This is a world that manifests the circuitous nature of time and the enmeshment of humans to the planet. Rothberg and Zurkow present a series of systems that further human connection to oceans by way of action and imagination.
Artsy names Rafael Lozano-Hemmer’s Border Tuner among best public art of 2019“Border Tuner, a timely and ephemeral light and sound installation by Rafael Lozano-Hemmer, created a unique and powerful platform for interconnectivity and public participation at the U.S.–Mexico border. By melding performance, robotic technology, and social discourse, Lozano-Hemmer’s large-scale installation shared a lesser-told story by visibly highlighting positive counter-narratives about El Paso and Ciudad Juárez’s interdependent culture. A challenging public project to achieve, Lozano-Hemmer’s piece was able to brilliantly and poetically render intimate bridges between strangers standing in two different cities and countries that share so much.”—Nicholas Baume, Director and Chief Curator, Public Art Fund
Rafael Lozano-Hemmer interviewed on BBC regarding his new work, Border TunerImagine huge searchlights which can be seen over a ten mile, 15 kilometer radius talking to one another across two countries. This is exactly what electronic media artist Rafael Lozano-Hemmer is creating this November between Ciudad Juárez in Mexico and El Paso in Texas. Called "Border Tuner," the project will see enormous bridges of light connecting the US-Mexico border for the first time.
Marina Zurkow’s exhibition The Thirsty Bird opening at the Contemporary Art Museum St. LouisMarina Zurkow focuses her work on the intersection of nature and culture, offering wry and pointed critiques of this perilously dysfunctional relationship. The Thirsty Bird offers parallel narratives on two essential, yet incompatible elements: oil and water.