Daniel Canogar & QuayolaArt Basel Hong Kong 2026
VIP previews: March 25–26, 2026 Public days: March 27–29, 2
View works in our booth here.
Artworks
Press ReleaseFull Press Release
Art Basel Hong Kong 2026 Zero 10 This presentation proposes a dialogue between generative sculpture, data-driven imagery, and contemporary landscape studies, bringing together works from Daniel Canogar’s Diorama, Blaze, Levels, and Quayola’s Storms series. Together, these artworks examine how technological systems mediate our understanding of nature, ritual, and visual experience, translating invisible infrastructures into tangible aesthetic forms.
Related News
Digital Witness – Review by Brian Droitcour“Digital Witness: Revolutions in Design, Photography, and Film” is an exhibition about the digital as a medium, and it is every bit as ambitious, rewarding, and frustrating as you might expect.
quayola to transform gaudi’s casa batlló facade with arborescent digital mapping projectionItalian multimedia artist Quayola will reimagine the iconic facade of Antoni Gaudí’s Casa Batlló in Barcelona with Arborescent, an immersive projection mapping inspired by natural growth systems and environmental responses.
Quayola x LG OLED bring digital Impressionism to Frieze LondonQuayola conceived Jardins d’Été using the complexity of floral formations moved by the wind as a dataset to generate new computational paintings. Speculating on the traditions of landscape painting, the work ‘explores a hybrid substance between the pictorial and the algorithmic.’
Midnight Moment: StormsEvery night in March, London-based Italian artist Quayola takes over Times Square with Storms, a mesmerizing depiction of deep-sea waves that engages and reimagines canonical imagery, particularly landscape painting, through the use of contemporary technology.
The Evolution of Landscape Painting in the Digital AgeBy uniting code, datasets, and human touch, Quayola creates vivid digital landscapes that synchronize in a fluid ballet of texture and colour, echoing an impressionistic aesthetic.
Artist Quayola On Why Algorithmic Art Is Like ImpressionismIn his artistic practice, Quayola employs technology as a tool, exploring the interplay of dichotomies: the tangible and the simulated, figurative and abstract. Storms comes to life with high-definition footage of stormy seas in Cornwall, England, captured by contemporary technology.
Manfred Mohr, Refik Anadol, Quayola, Casey Reas at Art SGApplying what he has described as ‘programmed expressionism,’ Mohr is known for creating striking drawings using plotters, mechanical devices that hold a pen that sketches lines (generated by algorithms) on paper. His recent sculptural experiments, computer-generated algorithmic aluminum wall structures, will be a highlight of bitforms’ booth.
Lumiere 2023: Stunning images as festival returns to DurhamLumiere features 40 installations, with Bishop Auckland lit up for the first time. Spanish artist Daniel Canogar created a projection for The Spanish Gallery in Bishop Auckland.
Quayola selected for Texas commission, “Pioneer Tower Public Art Project”Renowned new media artist Quayola will create a projection mapping video interpreting Fort Worth's nature using high-precision 3D laser scanning and digital tracking systems projected on all four sides of Pioneer Tower.
Daniel Canogar, Loom: Streamingbitforms gallery is proud to present a first of its kind, cloud-based, 24/7 stream of generative software-based art, presented in collaboration with Small Data Industries.
Daniel Canogar’s Data Abstractions, Art in AmericaAfter three months with the internet as my primary portal to the outside world, I was intrigued by the premise of Daniel Canogar’s latest work: “to expose the hidden threads of data networks.” Inside bitforms gallery, six large, wavelike metal structures covered with modular flexible LED screens hang on the walls or sit on the floor, all part of the artist’s “Billow” series (2020).
Daniel Canogar, “Billow”, Artforum Critic’s PickDaniel Canogar’s sinuous, ripple-like sculptures emanate colorful LED light in “Billow,” his solo exhibition here. It’s no accident that his bending architectural forms mimic hills, valleys, and mountains: Their slumbering shapes make the works’ cascading waves all the more hypnotic.
Virtual Opening of Billow by Daniel Canogarbitforms gallery is pleased to present our fourth solo exhibition with Daniel Canogar. The data-sphere is a driving force of society and the economy, despite its invisible nature. This lack of visibility can make it difficult to comprehend how information affects daily life. Billow attempts to expose the hidden threads of data networks.
